JANM Show Looks at Mixed Ancestry
DOWNTOWN LOS ANGELES - The very title of the new Japanese American National Museum exhibit indicates the complex factors at play in a single community.
The show, Visible & Invisible: A Hapa Japanese American History, examines the diverse history of the Japanese American
community as well as the still evolving notion of family and race. It
opened April 7 and continues through Aug. 25 at the Little Tokyo museum.
Through photos,
videos, artifacts and paintings, the shows traces the history of
mixed-race Japanese American families — hapa is a term for a person of
mixed race who is part Asian or Pacific Islander — going back to the
late 1800s. It also looks at the challenges these families faced due to
segregation and laws that criminalized mixed race marriages.
It’s a history, said
Duncan Williams, the exhibit co-curator, that is often plainly visible
in the faces of biracial individuals. However, he said the topic is also
invisible, since it is rarely discussed in open forums.
“One of the major
points we’re trying to make is that increasingly the Japanese American
community is changing,” said Williams, who is also director of the USC
Center for Japanese Religion and Culture.
He said that by the
next U.S. Census in 2020, it is expected that more than half of the
members of the Japanese American community will identify themselves as
multiracial.
“It’s an increasing
trend in all ethnic communities but it’s been happening at a faster rate
with the Japanese American community,” he said.
It also has been going on for more than a century.
Located on the ground
floor of the museum, the exhibit begins with
a display of a black and
white family photograph depicting one of the first immigrants from
Japan, Matsugoro Kuwata, who arrived in Hawaii in 1868 and married a
Hawaiian woman.
In the picture he has
a long gray beard and is sitting next to his wife and their six
children. Other black and white images depict additional racially mixed
families that were amongst the first to settle in Oregon and
California.
The exhibit then
examines the legal challenges these families faced. One law, the Cable
Act of 1922, stripped U.S. citizenship from American women who married
Asian men.
The act caused
couples such as Fusataro Nakaya and Edith Morton to marry in Mexico. The
exhibit displays their Spanish language marriage certificate as well as
the naturalization certificate she received years later, after the law
was repealed in 1936.
Photos from the
Manzanar Children’s Village, an orphanage in the Manzanar detention
camp, one of the sites where more than 100,000 Japanese Americans were
incarcerated during World War II, are also part of the exhibit. About
20% of the children in the camp were multiracial.
The exhibit includes a
segment on artist Isamu Noguchi, who created sculptures, gardens and
furniture. He was born in Los Angeles to an American mother and a
Japanese father. One of the coffee tables he designed is on display.
The show also takes a
pop culture turn, looking at figures such as Jerome Charles White. Born
in Pittsburgh with African American and Japanese lineage, he is a
singer who in Japan is known as Jero. The exhibit includes video footage
of the singer and a family portrait.
“He’s a quarter
Japanese, and yet he really embraced his heritage and sings these enka
songs in Japanese,” Williams said, referring to the term for traditional
Japanese ballads.
In many ways Jero exemplifies the future of the Japanese American community, Williams said. While Jero has mixed roots, he has embraced the Japanese part of his culture.
In recent years JANM
has taken numerous looks at people of mixed ancestry. The museum has
focused multiple times on the work of artist Kip Fulbeck, who has
photographed many biracial children and adults. His 2006 show was titled
Half Asian: 100% Hapa.
Cindy Nakashima, a co-curator of the current exhibit and author of the book The Sum of Our Parts: Mixed Heritage Asian Americans,
said it is important to embrace broader definitions of culture,
especially since it has always been part of the Japanese American
community.
“The mix has always been there,” she said. “Our community was built by mixed multiethnic families.”
Visible & Invisible: A Hapa Japanese American History runs through Aug. 25 at the Japanese American National Museum, 100 N. Central Ave., (213) 625-0414 or janm.org.
Contact Richard Guzmán at richard@downtownnews.com.
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